168 films and series set here, 29 with their speech described.
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Two titles are set in more than one town here and appear under each pill they belong to, so the pills above total 170 against Everywhere's 168.
The figure is an average per day across the five years to July 2026. Lookups — not viewings, not ticket sales, not streams.
Set here, not shot here. A title is on this page because its record says the story takes place in this region. Where the camera stood is a fact about a production, not about the work, and counting it moves 80 titles onto pages they have nothing to do with.
Rai prime-time fiction shot in the Dolomites: everyone speaks standard Italian, with at most a light northern colouring on some local minor characters and occasional German/Ladin place-names in the mountain setting.
Normal conversational pace with clean, well-articulated network delivery; family scenes bring some overlap but interruption is not the house style.
The Roman characters speak standard Italian heavily coloured by Romanesco lexicon and pronunciation, with a Milanese family supplying northern regional colour; grammar stays largely standard so lines remain followable.
Fast comic delivery with characters talking over each other in group scenes, plus rapid-fire gag exchanges and shouted family arguments.
Set in the Veneto hinterland and the two older drinkers speak a strongly Veneto-coloured Italian — local lexicon, local interjections and cadence over broadly standard grammar — while the young student's speech is closer to standard, so a learner follows the sense but loses the flavour and the occasional fully dialect line.
Normal conversational pace with the slack of half-drunk rambling; some overlap between the two older men but rarely genuine cross-talk.
Set in Chioggia in the Veneto, and the setting shows in accent and occasional regional colour, but the cast speaks standard Italian throughout.
Normal conversational speed with brisk comic delivery and some overlap at crowded family and party scenes, but individual exchanges stay clear.
Checco's speech is strongly Apulian/Barese in accent, cadence and scattered local lexicon, but the grammar stays standard and the northern and resort characters around him speak plain Italian, so a learner follows the sense while losing some colour.
Normal conversational speed with bursts of rapid comic delivery, but the gags need to land so lines are mostly delivered one at a time rather than over each other.
Stated languages: cinese, francese, italiano, lingua napoletana
Nearly all the speech is Neapolitan as spoken among the Scampia and Casal di Principe characters, not Italian with an accent, and the film circulated in Italy with Italian subtitles.
Confrontations, courtyard scenes and the two boys' scenes are shouted fast with heavy interruption and speakers talking across each other.
Everyone speaks standard Italian; Rosalba and her family carry an Abruzzese colouring and the Venetian characters a local accent, with only scattered regional turns of phrase, no shift out of standard Italian.
Normal conversational speed with some overlap in the family and restaurant scenes, slowed by Fernando's measured, unhurried delivery.
Set in Venice and the lagoon, but the cast speaks standard Italian throughout with at most light Veneto accent and the odd local expression from minor characters.
Normal Rai prime-time conversational rhythm, articulated clearly for broadcast, with overlap only in heated confrontations.
Village characters speak standard Italian carried on a strong northern, Po-valley accent with scattered local tags and exclamations, but the grammar stays standard and lines remain followable.
Normal conversational pace with some overlap in the shop and family scenes; the flirtation scenes are unhurried two-handers.
The Sordi episode's greengrocer couple speak popular Roman — standard grammar carried on thick Romanesco phonology and local lexical habits — while the other two segments and the museum/hotel people around them speak standard Italian.
Normal conversational speed with the overlap typical of a married couple talking across each other, but the comic timing keeps lines separable rather than piling them up.
Darker means more titles set there.
Catalogue information may be incomplete. Sources and methodology
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